I’ve picked up on sort of a meta-theme from this year’s SXSW – constructed, perhaps only in my own head, over the course of several panels and conversations. It’s the general idea that marketers need to be less prescriptive and more descriptive – designing brands, campaigns, and interactions that reflect, not shape, consumer behavior. I talked about it a little bit in our post outlining the trends we spotted during the conference, but thought I might expand on it a little further here.
The idea of “humble marketing” is a departure from the normal model of corporate branding and marketing – full of long-term plans, “big ideas”, and top-down implementations that wave at customer centricity but mostly reflect brand legacies, internal pressures, and practitioner biases. The result of such processes are brands that don’t pass the Turing test – they have superficial human-like traits, but once you actually start to interact, you realize that what you’re talking to isn’t human at all.
So what does “humble” mean, in this context? It means brands and marketers that do two things: first, they legitimately realize that they have a lot to learn from the consumer. By that I mean, they don’t just pay lip service to that idea, they literally go into consumer-facing decisions with the idea that the data could say anything. Second, they don’t try to impose much on the consumer, allowing context to dictate how the brand interacts.
The analogy goes like this: Big Idea marketers attribute things to brands, but those things don’t change depending on consumer context. So, he might associate a soda brand with ostentatious luxury (for instance). But when economic circumstances change and ostentatious luxury stops being so popular, maybe the brand loses share or price points migrate south. On the other hand, a brand with a simpler essence (“pleasure”, for instance) is capable of pivoting quickly to new realities, both macro and micro. Pleasure is popular in economic recessions and expansions, it’s something folks associate with good times and also something they long for when they’re sad. Just about everyone likes pleasure, and brands can take the motif of pleasure and translate it into messages for just about every segment.
But doing this requires most brands – beyond the classics, like Coke, Chevy Trucks, etc. – to seriously rethink their positions in the market, to abandon preconceived notions of who the customer is and what they care about, and to recommit to planning the kind of brand that can survive in all contexts. That’s the challenge, I think, facing most marketers; it’s one thing to stand on a stage and talk about human brands, but it’s quite another to make them actionable.